![]() Closed scale noun-intensifying uses 5.1.3.2. Noun-intensifying uses of complete 5.1.3.1. Descriptive modifier uses of complete, vague between bounded and unbounded construal 5.1.2. Bounded descriptive modifier uses of complete 5.1.1.2. Descriptive modifier uses of complete 5.1.1.1. Conclusions Part III: The case studies Chapter 4. Adamson’s lefward and rightward movement hypotheses 3.5. ![]() Pathway 2: From identification to nounintensification 3.4.3. Pathway 1: From description to nounintensification 3.4.2.2. Pathways to noun-intensification 3.4.2.1. From description to secondary determination 3.4.2. (Inter)subjectification and grammaticalization in the English NP 3.4.1. The directionality of (inter)subjectification and grammaticalization 3.4. Specialized contexts: Dialogicity and collocation 3.3. Onset contexts of grammaticalization 3.2.1.1. Subjectification and intersubjectification 3.2. (Inter)subjectification and grammaticalization: Pathways of change in the English NP 3.1. A prosodic, field-like model Part II: Diachrony Chapter 3. Challenging the linear subjective-objective model 2.3. Subjectivity and intersubjectivity: Disentangling the web 2.2.7. Textual meanings and (inter)subjectivity 2.2.6. Traugottian intersubjectivity and beyond 2.2.5. Traugottian subjectivity and beyond 2.2.4. Intersubjectivity in Cogitive Grammar 2.2.3. A semantic, linear subjective-objective model? 2.2.1. The English NP: A mere modifier-head structure? 2.2. The English NP: Structure, order and the role of (inter)subjectvity 2.1. Degree modification and subjectivity 1.4. Structural-semantic types of degree modification 1.3.2.4. Bounded, unbounded and extreme descriptive modifiers 1.3.2. Objective and subjective descriptive modifiers 1.3.1.2. A functional-cognitive model of the English NP 1.2. Langacker’s cognitive-functional account 1.1.4. Halliday’s structural-functional account 1.1.2. The functional make-up of the English NP 1.1.1. A functional-cognitive model of the English NP 1.1. Table of contents : Acknowledgements Tables Figures Introduction Part I: Synchrony Chapter 1.
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